My name is Pavithra Prabhu.
1. How does having open workshops (Seattle Fandango Project,
1:57) spread the Mexican/ Latino cultures?
2. Martha Gonzalez talks about that “convivencia, trust” and
its testimonies (Entre
Mujeres: Translocal Musical Dialogues). What is the importance of
having this “trust” and what is the importance of having these testimonies?
3. Entre Mujeres was inspired by mothers and motherhood (Entre
Mujeres: Translocal Musical Dialogues). Why should these topics be
sung in the first place? What are the benefits by singing these topics?
4. Martha Gonzalez felt that “UW was initially a very empty
space for her” (Martha Gonzalez UW Aulumni Profile). How did she eventually
make UW feel more comfortable and what lessons could be learned from the process?
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