1. In 'rhetoric of the object' Gonzalez writes about ofrendas as a form of rhetoric, but also critiques her own use of using rhetoric as a metaphor. What is she referring to and what are some example of how she uses it as a metaphor?
2. Jennifer Gonzalez writes about home altars as being a place of cultural and personal expressions. How do Ofelia Esparza's community altares embody this idea, or differ from it?
3. Why are 'femmage' and 'rasquachismo' important aspects of ofrendas and home altares?
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