Art
has the unique ability to speak to people of all backgrounds. Art is often the
expression of social injustice that groups are face and artists use their
surroundings to fuel their artistic vision. Alice Bag's description of her
pride in "being part of something as powerful as the Chicano
Movement," (Bag, 70) after witnessing protests and injustice in her
own community comes through in her music, where her powerful vocals and vivid lyrics
bring the injustices she’s witnessed to life for people who aren’t aware. The protests
of 1970 described in Bag’s “White Justice” depicts the “color blind” nature of white
justice and how it doesn’t “work for [her],” demonstrating the cruel nature of
the lies that permeate throughout white justice (Bag, 1:36). Bag’s participation in social movements
enabled her writing as she witnessed atrocities firsthand, and her art brings the
atrocities to a wider audience in hopes of finding support from sources outside
of her own community. I find Maylei Blackwell’s stance regarding masculinity
and nationality particularly intriguing; the “constructions of masculinity”
that have “been established as inherited tradition” (Blackwell, 97) aren’t
necessarily conducive to the livelihood of men and often hurt the men involved since
it requires such a fantastical appearance of what a man should be to his family
and his country and creating a power structure that is unattainable for most
men. These concepts receive criticism from artists, and art has the ability to influence
views regarding masculinity, femininity, sexuality, and justice through diverse
perspectives.
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