Both Alice Bag and Maylei Blackwell
showcased how art-making is intertwined with social movements. In Alice Bag’s passage
of “Chicano Power” from the book Violence Girl depicted her first encounter of
police brutality and the ongoing struggles her minority group faces with higher
authorities. While her passage was a powerful enough statement, accompanying it
with her song ‘White Justice’ invokes stronger emotions in the viewers. The
song’s visual aids of police brutality, such as a news clip of the infamous “Chokehold
Investigation” (3:09 – 3:15, ‘White Justice’), along with powerful lyrics such
as “You say justice is colorblind, I know you’re lying” (1:22 – 1:30),
emphasizes the difficulties her minority group, the Chicanos, are facing on a
regular basis.
While Alice Bag’s work strengthens
the connection of art-making with sending a social message, Maylei Blackwell
shows how the people on the receiving end of art can feel. She talks about her club,
Hijas de Cuauhtemoc, and how the club’s leader, Nieto Gomez, found a collection
of literary works that depicted women before them who had the same vision as
them. She talked about how reading their works was inspiring and how “more
difficult it would have been for [their] self-validation” (Chapter 3, Pg.104)
if they didn’t come across those pieces of literature. Maylei Blackwell later
went back in history and explained how Chicana print culture began, which
further emphasized the importance of art in social movements.
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